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Music Award 2016


A mixture of groovy UkuleleRockSongs and heavy philosophical conclusions. Since 2010 Samuel Beck is working on his project SAMUEL THE UKULELEPREACHER, a new combination of language, drama and music, in which he presents his philosophical views. The first performances was in 2011, at that time exclusively alone or as a duo with bass player Gero Kunisch. In his current program "Narrenmund" Samuel plays three different characters, resulting in an original performance between cabaret and songwriter. Usually such contents are presented quiet and meek, but here you get them roared right into your face, with a vehemence and intelligence which will take your breath away. With his own backing tracks recorded or his band, the whole show becomes more towards a rock concert. Quiet, lyrical passages alternate with voiced soul and hard rock parts, always supported by a groovy rhythm. The combination of traditional rock instruments with a headstrong bass and rhythmically Ukulele make the band is sound unique. A total work of art that is just as convincing as revolutionary. The audience is torn out of its well-established worldview by the entertaining way of "The Preacher".

Eine heftige Mischung aus fetzigen UkulelenRockSongs und krassen philosophischen Schlussfolgerungen. Seit 2010 arbeitet Samuel Beck an seinem Projekt SAMUEL DER UKULELENPREDIGER, eine neuartige Kombination aus Sprache, Schauspiel und Musik, bei der er seine philosophischen Betrachtungen in den Vordergrund stellt. Die ersten Auftritte gab es 2011, damals ausschließlich allein oder im Duo mit dem Kontrabassisten Gero Kunisch. Bei seinem aktuellen Programm "Narrenmund" versetzt sich Samuel in drei verschiedene Charaktere, was eine originelle Darbietung zwischen Kleinkunst und Liedermacher ergibt. Ist man es doch gewohnt, dass derartige Inhalte sonst eher leise und sanftmütig vermittelt werden, bekommt man sie hier direkt ins Gesicht gebrüllt, mit einer Vehemenz und Intelligenz, die einem den Atem verschlägt. Wenn er seine selbst eingespielten Playbacks oder seine vierköpfige Begleitband dabei hat, geht das ganze schon mehr in Richtung Rockkonzert. Leise, lyrische Passagen wechseln sich mit stimmgewaltigen Soul- und Hardrock-Einlagen ab, immer von einem groovigen Rhythmus getragen, der die Füße unwillkürlich mitwippen lässt. Erstaunlich, was für Töne Samuel Beck so einer kleinen Ukulele entlocken kann. Doch auch die anderen Musiker sind wahre Meister ihrer Instrumente. Die Kombination der eher klassischen Rockinstrumente mit einem eigenwilligen Kontrabass und der rhythmisch prägnanten Ukulele machen den Sound der Band einzigartig. Ein Gesamtkunstwerk, das ebenso überzeugend wie revolutionär ist. Auf eine unterhaltsame Art, die Zweifel an der geistigen Gesundheit des "Predigers" aufkommen lässt, wird der Zuschauer aus seiner etablierten Weltsicht herausgerissen.

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